reviews: "lay it on the line"

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The first of a new, occasional feature where I introduce a new band that you may not have heard of. The first band in the spotlight is Sacred Heart who are causing a bit of a stir on the UK melodic rock scene. Back in the late 80's we had quite a track record for producing decent melodic rock acts with the likes of Shy, FM, Tobruk, Shogun to name a few but of course the grunge fall out caused a cull of these acts and other than the odd name like Ten and Dare who continue mainly as increasingly sporadic studio projects its been a fallow time for uk melodic rock bands. Breathing new life into the scene are Sacred Heart as they build up to the first release proper with the excellent idea of making their 10 track demo album available for just the price of postage. First pleasant surprise then when a few days later my parcel arrived and the package has a full colour inlay and proper printed CD? first impressions are important and this certainly created a favourable impression.
 
Moving onto the music and any fans of Whitesnake's 1987 era, Dokken, Hardline etc are well catered for here and are going to enjoy this band. The opening four tracks are all strong rockers with The Last Goodbye sounding immense to my ears. I've not seen this band live yet but I'll be amazed if this isn't the big set closer. Power ballad Always will bring to mind the likes of I Remember You and Heaven from MTV days of old and funnily enough the Skid Row similarities spring up again with What It Takes reminding me a lot of 18 & Life in structure although not lyrically whilst there are some lovely guitar harmonics embellishing this track as well.
 
In My Heart is a decent sing-along track and either I'm getting used to the 'demo' sound or its getting more polished as It's Alright sounds like a monster. Superb riffing and again comparisons to late 80s MTV friendly bands, especially Tyketto/Warrant is both strong and positive here. Hand In Hand sounds a lot like a Europe track but don't worry about that because they're an excellent act wrongly criticised on the back of one big single whilst the acoustic closing track Forever acts as a good showcase for the vocal abilities of frontman Paul Stead. It's another strong ballad but perhaps the only slight criticism being that the backing vocals at the end of the track are unnecessary.
 
You have to make a few allowances listening to this CD as it is demo material and budgetary limitations are clear in places but once the band polish the tracks up for final release we have the strong possibility that once again the UK will have a melodic rock act of note. I for one look forward to the release of the first album proper 'Shake' this coming summer.
 
Check out the band's home page at www.myspace.com/sacredheartshakes where four superb sounding re-mixed tracks are now available and should give you enough incentive to get in touch with the band.
 
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By Pablo Boschiazzo of  www.encrucijada-webzine.com.ar
 
British rockers SACRED HEART originally formed over 10 years ago in the town of Camberley. The band style is dedicated melodic hard rock with hints of AOR and was formed by Paul Stead (vocals & guitars) and Mark Stephenson (guitar). They are accompanied by Claudio Cafolla (drums) and Darren Jhuboo (bass), although Leigh Westbrook played bass on the CD. "Lay it on the Line" is their debut album, after the EP "A New Dawn" (and a DVD "Live at the Celtic Warriors" followed). As a release it's totally independent, but a large production - unlike many self-releases - give it a quality sound. The influences of SACRED HEART come from the hard rock at the end of the 80's, as is the case of BON JOVI or THUNDER. "Lay it on the Line" contains the acoustic ballad "Forever" & "Always" and in other cases oriented rock/pop "In My Heart" & "The Last Goodbye", pure hard rock with excellent guitars "Lay it on the Line", "Rock 'n' Roll Away", "What it Takes" & "Hand in Hand", Melodic AOR "N.Y.C." & "It' s alright". The result is good work from a band that has already played with the likes of SAXON, SKYCLAD, MITCH MALLOY, among others. A disk 100% for fanatics from AOR to Hard Rock. Great Britain has always had ex cellent representatives of this kind of music and SACRED HEART has all the potential to arrive even higher.
 
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By Steven Nagle of  www.myspace.com/rockofagesfest
 
Sacred Heart are further proof that Skinheads aren't just good at trashing Brighton seafront, they can also be in some pretty damn good rock bands too! The 'Lay It On The Line' album is a great record... the title track, which opens the album has a certain 'The Boys Are Back In Town' feel to it... a good track - fun and edgy, with an unmistakable classic rock feel... the album continues with the blinding stadium rock of 'Rock N Roll Away', a rock anthem with wild electric guitar solos and thundering drums roles, definitely one for the Queen fans among you. The artistic and adventurous N.Y.C. continues right where 'Rock N Roll Away' left off, with classy lead guitar and good ol' fashioned rock music taken right into the back yard of bands like Thin Lizzy, Nickelback, Europe, Queen, Bon-Jovi, Stryper and other great hair-rock bands... This song is definitely one of the best tracks on the album, and it's solos capture the stadium rock spirit that bands such as The Darkness, Franz Ferdinand and The White Stripes wouldn't be able to create if they had an instruction manual! 'The Last Goodbye' is another classic, which carries an infectious vibe to it that has you reaching for your air guitars and rockin' along to Paul Stead?s Brian May-ish vocals. The ba nd's quality really shines through in songs such as this, and their more tender tracks, including the beautifully crafted, atmospheric soft-rock of 'Always', and the band's acoustic rendition of 'Forever'. This album doesn't fade away either... With songs such as 'In My Heart', 'It's Alright' and 'Hand In Hand', it seems that the throne of rock ?n? roll is in safe hands for years to come! An album of so many highlights, 'Lay It On The Line' spoils classic rock fans rotten, and it will certainly make a welcome addition to anyone's CD collection.

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By Javier of www.rockarolla.com.ar
 
Sacred Heart have been together 10 years. Made up of Paul Stead (voice and guitar), Mark Stephenson (guitar), Leigh Westbrook (bass - although now it is Darren Jhuboo), and Claudio Cafolla (drums), they publish their disc debut, "Lay it on the line", where the quartet does not fear to show it's influences and even so manage to develop a certain style that is to him their own. Even though its music at times reminds me of hard American rock, there are no doubts that this quartet comes from England. There is in this disc a feeling that only the British can create and throughout it's quality is consistent.
 
The songs emphasise the bands ability and the tracks are so catchy they could be a hit on MTV. The ten tracks move within hard melodic rock, with hints of AOR. It is so with passin g reminder they appear to have bonds with bands such as Whitesnake ("Rock ` n' roll away"), Europe ("Lay it on the line", "The last goodbye"), Dokken ("N.Y.C.") and Skid Row ("What it takes", "It's alright"). Of course they could not lack the ballads, and in this album there are two, "Always" (which could be part of any disc of Bon-Jovi) and the acoustic "Forever", whereas "Hand in hand" is the heavy rocker of the album, with powerful riff and original arrangement.
 
Sacred Heart is a band to consider, with interesting ideas and excellent songs, destined to be like those nostalgic hard rockers of the 80's. Recommended.
 
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By Aleksandra Kowalska of www.noizeletter.com
 
When I heard the band's name my first thought was: are they a Dio clone? But when I put the new band's release called 'Lay It On The Line' in my player I heard - from the very first second - sounds of pure Whitesnake with Van Halen influences. The band comes from UK and they give us a fresh kind of melodic rock. The whole album is full of great riffs and perfect melody lines, but what is important they have a natural sound too. The CD was recorded with a low budget and it gives the songs a raw vibe - we can count it in plus for the album. Among various compositions I found the three strongest points, the first is 'Rock 'n' Roll Away': catchy riffs typical for rock standout. Next point is 'What It Takes': in my opinion a real pearl! It takes us to a very lyrical atmosphere. As the third I'd include 'Hand In Hand'. This number kicks heavy rock beat mixed with Black Sabbath influences. The rest of material is weaker but kept on a better than average level.
 
I recommend it to the people who love classic and melodic rock music, especially to AOR fans.
 
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By Marty Dodge of www.blogcritics.org
 
Having already seen SACRED HEART live; I was interested to see how this band would translate to CD. Although the mixing is a bit flat and muddy at times, the band's talent shines through in spades. Paul Stead's vocals are not dissimilar to Jani Lane of Warrant in his prime. And lyrically the band is as good as Warrant at their best without the lame element that seem to dog the LA rockers. On the strength of the title track alone the band should have a deal by now. Other stand-outs are 'N.Y.C.' and 'It's Alright' with its monstrously catchy chorus. The band might claim this as a glorified demo, but many a reviewer has worse sounding proper releases in their CD collections. At 10 tracks its long enough for a proper album as well. It is clear this band has oodles of talent and is keen to deliver 80's hard rock with class and talent to spare. At this point I would suggest those in the UK see these guys live to get the full impact but if you can't make it to=2 0one of their gigs then this CD will give you ample evidence of their talent and their potential.

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By Marta Kroczak-Gabriel of www.metalheart.pl

I'm a big fan of old, good hard rock music, but actually I heard about Sacred Heart for the very first time after recently getting their CD. This British band was formed in 1994 by drummer Mark Beeby and excellent vocalist Paul Stead. Even if Sacred Heart plays for 11 years, and have more releases on their back catalogue, the "Lay It On The Line" CD is their first full length album.

The songs sounds like old rock goodies from the 80s', "Rock 'n' roll Away" and "Lay It On The Line" will not let you listen without moving! See? My legs are out of control, and my head start a little bang in the rhythm of "N.Y.C"!

As I wrote, the compositions sounds like the 80's classics, but production shows that the album hasn't been recorded too long ago. The songs are very powerful, the refrains are really catchy - but well, what kind of music should we expect after knowing that the guys inspirations were bands like Whitesnake, Europe, Dio or Van Halen? With no doubt I can recommend this album to all the people who love this kind of playing, and I agree with a lyrics of the second song: "Rock 'n' roll all night, Rock 'n' roll all day, Rock 'n' roll all night, Gonna rock 'n' roll away".

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By Nigel Wilson of
www.mswings.com

Sacred Heart date back to 1994, but it wasn't until mid-2003 when they reformed that things really started coming together for them. In January 2004 they recorded a live EP called "At New Dawn" and then in August 2004 a 10 track studio CD called "Lay It On The Line". Also in 2004 they have been busy doing gigs.

Scared Heart have a sound that is unmistakably British. Initially Magnum seemed like a good reference point, but whereas Magnum have a pomp edge, Sacred Heart are more of a straight ahead rock band.

Opening track "Lay In On The Line" is a great opener with a big chorus. "Rock n Roll Away" follows it up with a heavier punch. The track has a bit of NWOBHM feel including in the production department. The production on the album is basic, but doesn't really detract from the enjoyment as so much else is on the positive side to make it not an issue. It is funny how British bands like to sing about The States, still "N.Y.C." is a another good song. As is the crunchy "The Last Goodbye". "Always" and the final bonus track "Forever (acoustic)", show that the band can hack it in the ballads department.

"What It Takes", "In My Heart" and "It's Alight" are three more tracks which demonstrate the band's strongly melodic approach to their music. A heavier approach, reminiscent of "1987" era Whitesnake, is found on "Hand In Hand".

Overall a ' good old fashioned slice of melodic hard rock' which is a very promising start (or maybe I should say re-start) for the band.

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By Steve Shreeve of www.hullrockers.co.uk

Lay It On The Line is a very Impressive follow up to the bands debut CD A New Dawn, I was immediately struck by Paul's vocals on the opener, (Title Track) Lay It on The Line he has an awesome voice very reminiscent of Jani Lane (Warrant) & after a listen to the full album he also has all his the Song Writing Skills as well, this is very classy stuff, it can surely only be a matter of time before these guys are snapped up by one of the Melodic Rock labels of today such as Escape, Frontiers, MTM or Z records & high profile support slots with the likes of Mitch Malloy, Quireboys, Saxon, Tygers Of Pan Tang & Kee Marcello's K2 can only help to further their cause.

Stand Out Tracks for me are the first 3 tracks , these really grab the listeners attention.

Track By Track Review:

1. Lay It On The Line Great Guitar intro, very catchy chorus & excellent vocals
2. Rock 'n' Roll Away Very powerful guitar driven track, this is fist in the air Rock 'n' Roll, made to play live, once again excellent vocals & great guitar solo
3. N.Y.C Another straight ahead rocker, think of ro ck radio in the 80's this would have been on everybody's playlist
4. The Last Goodbye More of the same, these songs are loaded with melody & hooks, one listen & it's in your head to stay
5. Always This is the first of the albums Big Ballads & what a song, I've always been a sucker for a big rock ballad & this hits the spot

6. What It Takes A touch of Skid Row 18 & Life about this, with those awesome vocals again
7. In My Heart Mid Tempo Rocker
8. It's Alright A song about losing a lover & carrying on, great guitar work
9. Hand In Hand Probably the heaviest track on the album with some really crunchy guitars & an excellent Solo if a little short
10. Forever (Acoustic ) Last track & the album winds up with a very classy ballad that's emphasises the musicianship that is within this band

On the whole a very classy offering, these guys are just screaming out to be signed, the only downside for me was it was slightly under produced, something that could be put right with big money backing, expect to hear a lot more of these guys in the future & if you don't manage to win the competition, buy the album you won't be disappointed.

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By Arne Asbolmo of www.melodichardrocktoday.tk
 
It's not very long since I wrote about Sacred Heart's CD A New Dawn. A short while ago=2 0they returned with their second CD, Lay It On The Line. Sacred Heart was formed back in 1995 by guitar player and vocalist Paul Stead and original drummer Mark Beeby. Since that time the line-up has changed sometimes, but Paul has continued working hard with some demos and CD's since 1996. Today they have climbed a big step up in the right direction and I think it's time for a record company to sign this band!
 
What I like about Sacred Heart is that they have a very natural sound without all kinds of technical equipment. Musically they take us back to the eighties and they sound like a mix between Triumph, Strangeways and FM. The ten tracks are all of very good quality and every time I hear the CD, I admire their sound and playing who is very natural, and by reading about their live performances I'm convinced that they sound very good live too.
 
The title track, Lay It On The Line, is a very good Melodic Hard Rock song with a taste of blues.
The song builds up to a very rememberable refrain, who will get stuck in you head after some listenings. N.Y.C. is even better than the first track. The song has a very nice melody line, nice played rhythm guitars and a great refrain.
One of my favorites comes with the song The Last Goodbye, a very traditional Melodic Hard Rock tune, but it has the right elements to make it sound nice. In My Heart, It's Alright and Hand In Hand are all very good songs, and=2 0I think it will be great to follow this band in the future to see what they can come up with after such a good release like this.
 
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Formed in '94. They released a number of demos before Lay It On The Line.  They are playing nostalgic melodic HR with catchy vocal melodies and rough-edged guitar riffs. The songs sometimes reminds me of a bunch of 80's British HR bands. I recommend "The Last Goodbye" and "In My Heart".- they are good melodic rockers with catchy hooks. According to their biography they are influenced by TNT, HARDLINE etc...
But I don't feel their influences - the reason why is they have pure British blood. The production is a little rough, but it is suitable for their sound style. The guitar-solos are emotional on this album.. They are an active band. I'm looking forward to their growth.
 
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Pete Lakin from top rockers DOUBLE CROSS / FATEMAKER
 
In Paul Stead, Sacred Heart have a damn fine songsmith who knows how to throw a few tasty hooklines into the equation. The band perfom well throughout this CD which stands testiment to the Hard work put in by SH on the "Live Circuit". Together with Paul, Mark Stephenson punctuates each track with some great axework! A solid rhythm section creates a great foundation for some good,sol id Rock anthems. Personal faves "RocknRoll Away" & "What it takes" Show the band on crowd pleasing form in one breath & a subtle yet Bombastic refrain in another. A greater Production & support from a label could only serve SH well in something they truly deserve to showcase their talents.

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As a general rule of thumb, independent releases can't really compete with those from the specialist rock and metal labels. That's certainly true of all but a tiny minority of the more metal edged releases, and even those of a more melodic bent will generally sound better if they've come via a label - particularly if connoisseurs like Escape have got their hands on it first. However, from time to time, the odd independent release does slip in under the radar, although to my knowledge, 'Lay It On The Line' is the first time a home-grown UK act has managed to impress so much.  Based in and around Camberley, Sacred Heart were formed about ten years ago, although it was only recently that they became active again after a somewhat protracted lay off. Very much the baby of vocalist / guitarist Paul Stead, Sacred Heart play the kind of AOR which was common here in the UK in the mid 80's after the Bon Jovi explosion - all thrusting rhythms and soaring guitar breaks. As you'd expect, the production isn't great in comparison to some AOR I've heard this year - although it does highlight what a lot of effort and dedication can achieve - but at the end of the day, strong songs is what it's all about, and Sacred Heart have stacks of 'em. From simmering ballads like 'Always' or the acoustic 'Forever': to pulsing, full blooded rockers like opener 'Lay It On The Line', Sacred Heart have that elusive X factor which immediately draws your ear. All they need now is a decent keyboard player to fatten out their sound, and I'm sure the MHR labels will be crawling all over 'em. Classy.
 
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By Peter of www.rockreport.be
 
Since their reformation the guys have built a strong live reputation both as headliner and as support act with the likes of Quireboys, Saxon, Kee Marcello's K2, Lost Weekend, Skyclad and more recently to US AOR 'superstar' Mitch Malloy.
 
Their musical influences are located in the area of stadium rock bands of the late 80's/early 90's such as Bon Jovi, Europe, Skid Row, Warrant and Thunder.
 
'Lay It On The Line' is the band's newest product and contains 9 original tracks of guitar driven AOR/melodic rock and an acoustic ditty entitled 'Forever'. Due to lack of time and a very tight budget the album suffers in the production department but the quality of the songs shines through nevertheless. All of the tracks are above average but opener and title cut 'Lay It On The Line' with it's big chorus and revved u p guitar solo, (despite the title) the very upbeat 'The Last Goodbye', the pure pop metal sounds of 'In My Heart' and the ballads 'Always' and 'Forever' are the ones that sit best with yours truly.
 
The only quibble I have (and based on what I've read about this album on the band's website I don't seem to be the only one) is that I too believe that the band's sound would benefit from a (bigger) dose of keyboards.
 
Anyway, give these guys some more time and a home with one of the leading melodic rock labels (MTM, Z Records, Escape, Frontiers), and I'm sure they will be able to carve a niche for themselves in our beloved melodic rock market.
 
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Listening to this CD I kept thinking I had heard it before, and then it finally dawned on me. Sacred Heart reminded me of Warrant, mainly due to the fact that vocalist Paul Stead sounds very similar to Jani Lane. However this is heavier then the typical Warrant releases and Lay It On The Line actually would have been a worthy follow-up to Dog Eat Dog. Don't let the uninspired album cover fool you, this is well played slick melodic metal. For an independent release the production is top-notch, yet doesn't suck the life out of the band. Every harmony, beat and note is meticulously placed creating a crisp sound. "Lay It On The Line" and "N.Y.C" show what the band is=2 0all about right out of the gate - addictive harmonies and prefect song structures. "Rock N Roll Away" brings back memories of the metal anthem, complete with lyrics of "throw your hands up in the sky". "The Last Goodbye" is a killer mid-tempo rocker with a great chorus and memorable guitar riffs. Like any 80s sounding album, this release comes complete with your typical ballads. Fans of Warrant, Whitesnake (during their later years) and Transit should enjoy Sacred Heart. Not the most original recording to arrive on my desk lately, but there was enough here to keep me entertained - and really, what else is important?!

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By Antonis Maglaras of www.thetempleofmetal.gr
 
This English band, strikes back again with their newest CD. This time the title is "Lay it on the line", which by the way is the best song in the whole album, a very clever opening track and immediately you can get inside the music from Sacred Heart, a very good hard rock and very easy listening songs. Ten songs we have in this new album from the band and every song is different from the other and each song has something to give you.
 
As you can easily understand my personal favourites are the first two tracks, incredible songs, maybe are the best opening tracks that I have ever heard in this music style. Another good element is that the band comes from England but they still stay traditional. Again with a=2 0simple cover because they just want their fans only from their music, but personally maybe in the next release they can work more in this section.
 
Because I have also a radio show here in Greece, I believe that: "Lay it on the line", "Rock n roll away" and "N.Y.C", are the best songs for airplay. You know, sometimes we try to find super duper technical bands to hear them but sometimes the simple tracks are better than every other track. Maybe I can't describe how much I like this album, I still remember when I first hear the music from Sacred Heart, but now I can say that this one is better than their previous.
 
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By Juha of www.melodic.net
 
Sacred Heart is a British melodic hard rock/AOR band and have released a brand new (demo) album in a typical 80s British melodic hard rock/AOR style with crunchy guitars. It's a really nice rockin' album but the production is weak. The songs are really good but it would have been even better with a stronger production.
 
They can write hook-laden songs with lots of great riffs and lovely melodies. The songs that stand out more than the rest are the opening track "Lay It On The Line", a great melodic hard rock song with crunchy guitars and a catchy chorus and "N.Y.C" which is the strongest song on the album. This sounds like a song penned by Desmond Child and is catchy as hell with a memorabl e chorus.
 
The heartfelt power ballad "Always" is a nice piece of work and reminds of Thunder. "What It Takes" is a great up-tempo rocker with heavy guitar riffs and a chorus filled with hooks and nice harmony vocals. This is a very solid album that really has it's moments but unfortunately the production pulls down the rating a bit.
 
If you're into a slice of British melodic hard rock/AOR with lots of 80s vibe over it and listen to acts like Thunder, Lost Weekend, FM(later), Contagious and Hardline(II) then check out this interesting new British act. Hopefully some of the leading melodic labels in Europe will pick them up and I hope the next album will have a stronger production, I would prefer more keyboards and then I would be satisfied.
 
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By George Thatcher of www.glory-daze.com
 
English band Sacred Heart are a new contender to the ranks of melodic hard rock. A four piece with their hearts (excuse the pun) and soul firmly ensconced in the 1980s era of hard rock. It's not hard to see where their influences come from; a slab of Whitesnake, toss in a dose of Dokken, chuck a little bit of your euro-metal too perhaps, and your sort of almost there. To to be fair to Sacred Heart, their new album 'Lay It On The Line' is more of a demo album, and should be seen in that light, rather than be compared to some pristine releases of lat e out of the UK, including the likes of Pride and Threshold.
 
The guys in the band have been around awhile, Sacred Heart in fact, go back ten years, and despite the band-name and album title, little Ronnie James Dio doesn't even get a look-in on the album credits! The mainstay of the band is Paul Stead, singer and guitarist with a love of eighties hard rock despite the fact that he's a professional DJ. The feel of the album is peppered with ample amounts of good crunching guitar work (yes there is a benefit to having two guitarists), and the vocals of Stead is superb. His voice is at the harder edge of the hard rock formula, and you'd think judging by his performance that fronting a power-metal outfit would not be too far out of the question. The only small query I have is the drum-mix, which doesn't quite have the 'balls' to push the dynamics of their sound further out into the audio spectrum. If it did, you'd be looking at a seriously good album indeed!
 
Let's take a listen to some of the songs then: 'The Last Goodbye' is a tremendous track that is unequivocally British. Think of Statetrooper or Midnight Blue without keyboards. The heaviest the band get is on the third track 'Rock N Roll Away', where the guitars are unashamedly all over the place. Not far behind is 'Hand In Hand', despite the mid-section tempo change, offset by a fast and furious guitar solo. The album contains many mid-paced rockers which probably need to be=2 0given a bit of air. Tunes like 'N.Y.C' and 'In My Heart' are potentially good, but with a great production, would literally come to life. I'm sure this is something the guys are aware of in any case, but at least you get an idea as to their potential.
 
This lot are particularly good at ballads, Stead's heartfelt voice surprisingly tender and subtle when it counts on the immense 'Always', sounding a lot like a working-mans Pride, which is a bit of compliment admittedly! To finish off the album is another excellent 5 minute ballad 'Forever'. Every good hard rock band knows how to pull a rabbit out of the hat in terms of a ballad.. Sacred Heart are no exception to that rule.
 
A band with good ideas, good songs, true ideals, and of course those twin guitars.. powerful enough to do some serious ear-damage. A courageous label with a bit of money to throw at Sacred Heart in the production stakes could well have a future star in the making. Definitely a band to keep an eye on for the future!

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By Bruce James of www.la-nites.com
 
Sacred Heart are English; and you can tell! I can feel it, Hadrians wall, reverberating with the sounds of the 80's, echoes of bands like FM, Whitesnake, and Irishman, Gary Moore. You might want to throw in a bit of NWOBHM crunch as well, and whilst most Scots  might say "England...fill it with water", I say who=2 0the hell was Hadrian, tear it down and let us heathens north of the border, drink from thy collective cups. Truth is I'd liken Sacred Heart to FM, with the keyboards ripped right out, and the guitars turned up an octave or two. Vocalist, Paul Stead, at times is "Moore-ish", but pretty much has a style of his own - not done justice by the indie production. Standout tracks are opening trio of "Lay It On The Line", the fist pumping "Rock N Roll Away", and "N.Y.C.". Of course there's a power ballad, and "Always" is a good one, where Stead shows his true vocal prowess.
 
These guys are a tight professional unit with a good line in melody, more than enough to keep the AOR fanatics ecstatic, and bags of guitar fire to keep the hard rock fans from discarding their air guitars.
 
Labels take note; don't let these guys, like so many others, pass you by. Get them signed! "show them the money!"
 
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The band had originally formed in Camberley UK almost 10 years ago. They disbanded for a while but are now back with a stabile line up featuring the talents of Paul Stead on lead and backing vocals as well as guitars, Mark Stephenson on guitars, Claudio Cafolla on drums and Leigh Westbrook on the bass.
 
Main song writer Paul Stead has some favorites in bands like Whitesnake, Europe, Dokken and Bonfire - and you20might say that the influences shines through. Their main "Thing" is that they are proud of being influenced by the 80's sound - and on great rock tracks like "The last goodbye" and "In my Heart" the influences are obvious - great.
 
But the melody line, powerful guitars and good vocal abilities are used for more balladesque tracks like the soulful "Always" and the more Beatles'esque (as goes for the intro) "It's alright". But don't shut the player down before you've heard the wonderful acoustic ballad "Forever". It is worth a listen.
 
Let's hope that a melodic record company get their hands on Sacred Heart - because this band is "almost there". The melodies are fine, the musicianship is great and they have a lot of live experience opening for bands like, Saxon, Quireboys, Tygers of Pan Tang, and Kee Marcello's K2. Let's hope that it will be soon, because the band deserves a chance to get out to a bigger audience!
 *File sharing & illegal copying
SACRED HEART are 100% independent/self-financed and although all promotion (including word of mouth) is very much appreciated PLEASE be considerate with the music you possess, as behind every release - whether it be through a label or privately - there are artists whose creativity & hard work deserve return as well as recognition. THANK YOU (P. Stead)
 
copyright 2007/08 sacred heart